Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon
Oranges "S-Chair" Paar von Verner Panthon

Pair of orange Panton Chairs by Verner Panton, 1972

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Description

The Panton Chair is one of the most significant furniture designs of the 20th century. With its continuous S-shaped form, cantilevered construction, and consistent reduction to a single line, it marks a turning point in the history of furniture design. These two examples date from 1972 and therefore belong to the third series of production. They were made from dyed-through thermoplastic polystyrene and can be clearly identified by the characteristic grooves below the bend between the seat and the base. During this phase, the design was first produced industrially on a larger scale and distributed internationally. The bold orange color emphasizes the sculptural character of the design and corresponds to the original color palette with which Verner Panton deliberately brought atmosphere and tension into spaces. As a single piece, the Panton Chair appears like a sculptural object; as a pair, it creates a particularly strong spatial presence. A design classic with a clear historical classification, equally collectible and timelessly usable.

Details

Designer: Verner Panton
Manufacturer: Fehlbaum / Vitra
Material: Plastic

Condition

slight signs of wear

Size

83 x 54 x 49 cm

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About Tandlas

Good design is a matter of perspective.

Tandlas was founded by art historian Elisabeth Souvan and combines in-depth research with a personal perspective on design. Each object is carefully selected and placed within its historical and design context.